When was “Ragtime” music popular?
It was documented at the turn of the last century that ragtime first caught the American public’s ear in 1893 at the
Chicago World’s Fair (the World’s Columbian Exposition) which was attended by people from all around the nation, (this
implies that ragtime must have existed a few years before that). Ragtime probably reached its pinnacle of popularity around
1910 (give or take a couple of years) and began to fade in popularity by the late teens. The modern ragtime community uses
the term “ragtime era” which is generally defined as being from approximately 1897 to 1917.
Most “ragtimers” today prefer to commence the ragtime era with 1897 because the first published instrumental piano piece
with the word “rag” in its title was “Mississippi Rag,” which was copyrighted in Jan. of 1897. However, not all ragtime
historians agree that this was actually a “rag.” David Jasen and Trebor Tichenor wrote in their Rags and Ragtime: a Musical
History.
“The first three published ‘rags,’ in fact, were cakewalks: William Krell’s Mississippi Rag… It was not until October of
1897 that the first true ragtime composition was published… this was Louisiana Rag by Theodore H. Northrup…”
Though I must respectfully disagree with Mr. Jasen and Mr. Tichenor about “Mississippi Rag” not being a true rag, I will
say that the rambunctious “Louisiana Rag,” which the publishers apparently considered too complex for some pianists (the
bottom of the first page reads, “If this arrangement is too difficult, try the simplified arrangement on last page.”) has
more thickly textured chords and is more heavily syncopated overall than the folksy “Mississippi Rag.”
I often used to wonder why publishers waited over three years after the close of the Chicago World’s Fair (in Oct. 1893) to
publish a rag for piano (four years if you agree with Jasen and Tichenor) until I read the following in chapter six of the
biography The Great Pierpont Morgan by F. L. Allen and discovered one very probable reason:
"For more than four years--1893, 1894, 1895, 1896, and part of 1897-- the United States was tormented by what we would now
call a major depression. (In those days they spoke of the Panic of 1893 and of the 'hard times' which followed.) Business
which formerly had been prosperous went into the red; factories shut down; bankruptcies multiplied; wages were cut; workers
by the millions lost their jobs, and year after year faced the recurring nightmare of unemployment; and there was
industrial strife, bitterness, and unrest..."
Not exactly the climate in which the music publishers would want to test market a new kind of sheet music.
And why do ragtimers consider 1917 the close of the era? In 1917 Scott Joplin, the “King of Ragtime Composers” died, jazz
was becoming the new “hot” music to listen to and, on the piano, not only were “fox trots” (many of them unsyncopated)
becoming increasingly popular, “novelty piano” was about to supplant ragtime--some of this newer ragtime was beginning to
resemble the forthcoming novelty with its dotted rhythms. (As early as July 1918 the great novelty composer, Zez Confrey,
made a piano roll of his first novelty piano composition “My Pet” though it wasn’t published in sheet music form, minus one
theme, until 1921.)
Of course ragtime sheet music did not abruptly disappear from store shelves in 1917. Rather, it slowly faded away. New
ragtime was being published all the way into the early 1920s (and by then a few rags were being released solely on piano
rolls or recordings), but the annual number of new rags being issued by then in any format was only about 10% of what it
had been a decade before.
There have been several ragtime revivals since then (the first in the early 1940s) but ragtime has never been as nationally
popular as it was during those two decades.
Who were the best ragtime composers?
Obviously this is a subjective determination, but, surprisingly, there seems to be considerable agreement today that the
top three ragtime piano composers were Scott Joplin (circa 1868--April 1, 1917) who has been known for the last one hundred
years as the “King of Ragtime Composers,” James Sylvester Scott (Feb. 12, 1885--Aug. 30, 1938) and, Joseph Francis Lamb
(Dec. 6, 1887--Sept. 3, 1960).
You won’t find any works by the triumvirate of ragtime on this site because renditions of their ragtime compositions are
available on several other websites. However, if you’re interested in hearing their music, I suggest you begin by listening
to what ragtime historians and collectors Jasen and Tichenor consider to be the greatest rag written by each composer (and
I do completely agree with their choices). Those three rags are:
“Maple Leaf Rag” by Scott Joplin (1899)
“Grace and Beauty” by James S. Scott (1909)
“Top Liner Rag” by Joseph F. Lamb (1916)
... to ragtime MIDI files
LINKS TO OTHER WEBSITES
pianola.co.nz - Preserving yesterday's music
Tommy Gordon - Piano player
MIDI files are copyright ©
Rob Crausaz.
E-mail: RobDebbie@aol.com